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2063  :  Hours (Rome) "Salting"

Physical description

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Bibliography

Friedrich Winkler, Die Flämische Buchmalerei des XV. und XVI. Jahrhunderts: Künstler und Werke von den Brüdern van Eyck bis zu Simon Bening, Leipzig 1925: Marmion, M Dresden Hours

J.P. Harthan, The Book of Hours, with a historical survey and commentary, New York, 1977 [available in French: L'âge d'or des livres d'heures, Brussels 1977], p.145-148 (5 ill.)

Thomas Kren, ‘Flemish Manuscript Illumination 1475-1550’, Thomas Kren (ed.), Renaissance Painting in Manuscripts. Treasures from the British Library, New York-Malibu-London 1983, 1-86, p.031 (Marmion, c.1470-1480)

Otto Pächt, Ulrike Jenni & Dagmar Thoss, Flämische Schule II (Tafelband und Textband) (Veröffentlichungen der Kommission für Schrift- und Buchwesen des Mittelalters. Reihe 1, Die illuminierten Handschriften und Inkunabeln der Österreichischen Nationalbibliothek, 7), Vienna 1990, fig. 008

Georges Dogaer, Flemish Miniature Painting in the 15th and 16th centuries, Amsterdam 1987: Vrelant, M Dresden Hours, M Louthe

Bodo Brinkmann, Offizium der Madonna der Codex Vat. Lat. 10293 und verwandte kleine Stundenbücher mit Architekturbordüren (Kommentarband bei Faksimileausgabe), Zurich 1992, ill. 37 (f.103v), 38 (f.79v)

Bert Cardon, Manuscripts of the Speculum Humanae Salvationis in the Southern Netherlands (c. 1410 - c. 1470). A Contribution to the Study of the 15th-Century Book Illumination and of the Function and Meaning of Historical Symbolism (Corpus of Illuminated Manuscripts, 9), Leuven 1996

Bodo Brinkmann, Die flämische Buchmalerei am Ende des Burgunderreichs: der Meister des Dresdener Gebetbuchs und die Miniaturisten seiner Zeit, 2 vols., Turnhout 1997, no. 27, p.017 (n48), 59, 159-172, 239f, 271-273, 359f, 362, bl-w ill. 146-155, coul. ill. 25-28 (M Dresden, Marmion, M Fitzwilliam 268)

Bernard Bousmanne, “Item a Guillaume Wyelant aussi enlumineur”: Willem Vrelant, un aspect de l’enluminure dans les Pays-Bas méridionaux sous le mécénat des ducs de Bourgogne Philippe le Bon et Charles le Téméraire, Turnhout 1997, p.264 (Vrelant, M Fitzwilliam 268, S Marmion, M Dresden), p.029 (ill. f.15v)

Bert Cardon, Jan Van der Stock & Dominique Vanwijnsberghe (eds.), Als ich can. Liber Amicorum in Memory of Professor Dr. Maurits Smeyers (Corpus of Illuminated Manuscripts, 11-12), Leuven 2002, p.0085, 282

Brigitte Dekeyser & Jan Van der Stock, Manuscripts in Transition. Recycling Manuscripts, Texts and Images. Proceedings of the International Congres held in Brussels (5-9 November 2002) (Corpus of Illuminated Manuscripts, 15), Leuven 2005, p.389

Thomas Kren & Scot McKendrick, with contributions by Maryan W. Ainsworth, Mari-Tere Alvarez, Brigitte Dekeyser, Richard Gay, Elisabeth Morrison & Catherine Reynolds, Illuminating the Renaissance. The Triumph of Flemish Manuscript Painting in Europe, exhib. cat., Los Angeles-London 2003, no. 053

Hanno Wijsman (ed.), with the collaboration of Ann Kelders and Susie Speakman Sutch, Books in Transition at the Time of Philip the Fair. Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries (Burgundica, 15), Turnhout 2010, p.114

Marc Gil, ‘Picardie-Hainaut: Quelques remarques sur les livres d’heures produits par le Maître de Rambures et Simon Marmion’, Sandra Hindman & James H. Marrow (eds.), Books of Hours Reconsidered, London-Turnhout 2013, p. 265-277, p. 276-277

Bernard Bousmanne & Thierry Delcourt (dir.), Ilona Hans-Collas, Pascal Schandel, Céline Van Hoorebeeck & Michiel Verweij (eds.), Miniatures flamandes, 1404-1492, exhib. cat. (Brussels-Paris, 2011-2012), Paris-Brussels, 2011, p. 412

The Burlington Fine Arts Club Exhibition of Illuminated Manuscripts, London 1908, no. 235

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Brussels, KBR, bl-w photo collection: 2 photos

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